19 year-old songstress Ella Henderson is one to watch. She’s already conquered the British charts, and I’m happy Ella is jumping over the pond and gracing us with her angelic, yet powerful voice. Her song “Ghost” went Platinum and was #1 on the UK Singles Charts. And her song “Yours” is even more moving.
An X-Factor Finalist (6th place ain’t bad) Ella has gracefully transitioned from a reality show competition to boldly facing the music industry. Her maturity and understanding during this challenging interview honestly impressed me.
Slightly more pop than Adele, her voice still has the same powerful ability. “Soulful, real, and raw,” are words Ella uses to describe her sound. Influenced by everything from “Motown” to “80’s” music, you can sense that in her sound, but she definitely still makes it her own. I also love the fact that she writes her own music. It makes it much more personal. Ella states she wants her music to “come from the heart.”
I’m from a family of musicians, so I’m always interested in hearing a vocalist live too. And Ella certainly didn’t disappoint. Frankly I’d like to hear her live over her recordings-which is very rare in today’s age! Ella Henderson shows sometimes even if you lose, you can still come out on top.
Get excited- the 70’s is back! The music was great, the look was even greater. But how does this apply to 2015 you may ask? Think comfy casual that can easily be updated from day to night. I’d say the Chloe PreFall 2015 collection perfectly emulates the era.
Also, let this be your background music while you read.
Icons to Google: Farrah Fawcett, Cher, Jerry Hall, Bianca Jagger, Jane Birkin, Marissa Berenson, Debbie Harry, Pam Grier
1970s: The bigger the better.
NOW: Keep the impact but instead with a bold print. For day, think pastels or flowery prints, while for night, dare to shimmer with metallic silver or gold pants.
Dresses and Jumpsuits:
1970s: Halter-tops and one-shouldered gowns galore!
NOW: Cutouts and skin-baring looks may not be as appropriate for the workplace, so throw a sharp blazer on top to update the look to keep it from looking too casual. This year, hemlines will become longer as well.
1970s: Bright flowing tops in a kaleidoscope of prints.
NOW: Continuing with the loose-fit trend, shop for butterfly tops, tunics, and blouson shirts. Keep the colors neutral not to scream 1970s.
1970s: Platforms on platforms!The 70’s took footwear to new heights. Think patent leather, prints, and even whimsical elements.
NOW: For evening, stacked heels and also flats will be even more popular than before. Which is a plus considering they’re much more comfy!
Then: long, flowy, natural, voluminous afros
Now: No need to update. Gisele-esque waves are always the way to go. The hairstyles are relevant and easy to do!
Go Farrah Go!
Makeup:Dewey shimmer was all the rage. Lots of eyeshadow and also lip color that’s harkens back to Studio 54 (FYI it was a hotspot of 70’s celebs and artists).
Now: I wouldn’t advise to use blush as a highlighter, but instead keep your look interesting by focusing on one element. Instead of a bold lip AND eyeshadow AND cheeks, choose one and stick with it!
If you’ve seen a fair share of films this season, then the heartthrobs of Prada’s Spring Summer 2015 Campaign should be familiar faces offscreen too.
The Fault in Our Stars‘ Ansel Elgort, Whiplash and The Spectacular Now‘sMiles Teller,Boyhood‘s Ethan Hawke, and Unbroken‘s Jack O’Connell cemented their place amongst fashion’s heavyweights thanks to this campaign. Photographer Craig McDean shot the guys so that they completely filled the frame. Styled in simple yet intriguing knitted vests, slim suits, and patterned sweaters, the Prada man’s look is never fussy, but always functional (with a dash of fun).
These actors appeared to be daydreaming as they doodled on their hands or peeled an orange, suggesting a sense of normalcy that unites us all together. Dare to dream fashion lovers!
So my friend/film extraordinaire Michael Robinson (trust me, he owns more movies than Blockbuster ever did, and a wider variety too) has ranked his top film fav’s for WMTM! Check out his article:
2014 Films Review by Guest Writer Michael Robinson
2014 has been an incredible year in film and showcases themes that vary drastically from those that 2013 had to offer. From subjects ranging from strains on a marriage to the excess of Hollywood, many of the top films of the year brought something new to the table. After some deliberating, here are my top 15 of 2014:
15) The One I Love
This is an independent film focused primarily on the two main actors (Mark Duplass and Elisabeth Moss) as they go away for a weekend to work on their marriage. Weird things begin to happen in the guesthouse as a bizarre game begins between the two. The One I Love focuses on the trust between a married couple and how much strain a relationship can take.
14) The Grand Budapest Hotel
I am a huge fan of Wes Anderson so this was a no brainer. The dialogue is the best he has ever written and the style is absolutely stunning. While it’s not as deep as I wanted it to be (Why the three timelines when things only happen in one?), it is still incredibly enjoyable and worth exploring.
This is a film that had to grow on me. I walked out thinking it was alright but found myself talking about it with everyone. It’s a smart commentary on the sensationalization of the media and features a brilliant performance by Jake Gyllenhaal.
12) Gone Girl
David Fincher is a director who always brings great movies to the table but never incredible ones. To me, this is Fincher’s first incredible movie (mostly due to the on point script by Gillian Flynn). This is another film that focuses of the turmoil of marriage, especially what happens when you pull back the curtain. The characters are very complex and you begin to question everyone involved.
Who would guess that the film that won Sundance would be amazing? The movie focuses on Andrew, a music student at a prestigious school where he aims to be in the top jazz ensemble run by Fletcher, played expertly by J.K. Simmons. This is a film that echoes the jazz that the band plays. From the editing, to the tension, it is crafted incredibly well and ends on the perfect note.
10) Only Lovers Left Alive
I love everything Tilda Swinton does and this may be one of her finest. Only Lovers focuses on two rock vampires (completely the director, Jim Jarmusch’s style) as they come together again after years apart. The chemistry between Swinton and Tom Hiddleston is electric and with Mia Wasikowska in the mix, things get complicated very quickly. The film is expertly crafted and one not to miss.
9) The Tales of the Princess Kaguya
This is the first film Studio Ghibli has released since Hayao Miyazaki has stepped down and it looks like the company is still in good hands. The film focuses on a girl who is born out of a bamboo tree and raised by a bamboo cutter. She defies the mold of society and acts as a commentary of the limitations of women in Japan. The music is great and the style is absolutely incredible (it contains one of my favorite scenes of the year). Make sure to check out this powerful animated film.
8) The Disappearance of Eleanor Rigby: Him & Her
This came out as two separate films screened together (each taking the point of either the female lead, Jessica Chastain, or the male, James McAvoy) and as a combined, shorter filmed called The Disappearance of Eleanor Rigby: Them. While I have not seen the Them version, I highly recommend the separate, longer Him & Her. You see the strains of a heterosexual relationship fallen apart through both the man and the woman’s side. It’s an emotional experience that I haven’t gotten anywhere else.
7) Stray Dogs
I saw this film during the summer and it has been haunting me ever since. The Malaysian director, Ming-liang Tsai, crafts a slow burning commentary on the lower class and the struggle to survive and take care of children. Each shot is expertly crafted, taking several minutes of screen time each for a total of 77 shots over the course of the two and a half hour film. It requires a lot of patience but the reward is incredible.
This isn’t just a film, it’s a historical document. Laura Poitras talks with Edward Snowden before he released what he knows to the country, allowing people to see what exactly happened leading up to the NSA crisis two years ago. Few filmmakers take the risk that Poitras does and the result is an inspiring, frightening , and incredible film.
5) Under the Skin
Jonathan Glazer ventures into the extreme of bizarre and exquisite with Under the Skin. The loss story follows an alien, played by Scarlet Johansenn, as she wanders Scotland to abduct men. Well, that’s the premise but the film evolves so much from there, with perfect editing and the best soundtrack of the year by Mica Levi. This is an artistic masterpiece.
Ida is a movie you have to see to believe in. As a polish black and white film about a nun who is looking for her parents, it’s a tough sell. Yet Pawlikowski makes it work. The cinematography is beautiful and the very different 1.33:1 ratio really makes it stand out. There are so many scenes in this 80 minute film that stick out to me and it’s a movie going experience I won’t soon forget.
3) A Girl Walks Home Alone at Night
Here is another foreign black and white film, yet this one is very different. It’s an Iranian Vampire Western and the first time director Ana Lily Amirpour really makes the film soar. Few movies have ever given me the same amount of glee when watching them, from the female vampire lead flying down the streets on her skateboard to the best acting cat I have ever seen, A Girl Walks Home Alone at Night is a treat that anyone should seek out and see.
2) Birdman or The Unexpected Virtue of Ignorance
There are so many layers to this commentary on Hollywood that one viewing doesn’t do it justice. The actors are all absolutely brilliant and the cinematography is phenomenal. The characters really come alive and the whole film just comes together to really work.
How can I not fall in love with Richard Linklater’s 12-year tale of growing up in the 2000’s? There is so much that the director does that is so subtle but so remarkable. Each character is crafted beautifully and really comes alive and grows in front of you. You see Mason mature throughout the small points in his life. You see him go from a six year old boy who just wants to watch TV and mess with his sister to a teenager going to college and being independent for the first time in his life. This is a wonder of a film and the best of the year.
There are many other great films that came out this year, with Obvious Child, The Blue Room, The Immigrant, The Dance of Reality, Foxcatcher, Top Five, The Babadook, and many more that I Ioved but couldn’t include.My top rated film list will most certainly change once I see the following: Selma, The Imitation Game, Wild, Leviathan, Two Days One Night, Mr. Turner, Inherent Vice, Locke, Winter Sleep, Force Majeure, and A Most Violent Year. 2015 already looks promising with some sundance films already looking interesting as well as some that have made the festival rounds but not released (Olivier Assayas’s Clouds of Sils Maria should be sought out as soon as it officially hit theatres in March).
Whenever I watch EDM music festivals, girls are everywhere. They take up just as much time on camera as the headlining DJ. I also hear a fair amount of them too-with angelic vocals being looped over and over a DJ’s newest hit (Ellie Goulding anyone?). We see them, we hear them, so why aren’t they given the chance to actually make anything?
EDM lately has been a boys club of sorts and whether or not that’s incidental, it still needs to be addressed. Many female artists have used EDM as either a basis for their newest CD or employed a DJ or two. But it’s a rarity to see a girl either playing much less headlining a major festival (like Sensation, Electric Daisy Carnival, Ultra Music Festival, Tomorrowland etc.) these days.
Don’t get me wrong, breaking into any industry-whether a guy or girl-is no easy feat. However, the internet has changed today’s EDM scene from its 1990’s predecessors. Outlets such as SoundCloud lets anyone-not just DJ’s signed to a label-get their music out to the public. Also, there’s no age minimum for being an EDM DJ, (i.e. Porter Robinson and Martin Garrix who catapulted to the music charts in their mid-teens) which shows you simply need the software and the skills of course.
So I’m a bit puzzled why no major female DJ has yet to take center stage. It’s not that female singers don’t use EDM-like beats in their songs. I’d argue that artists like Lady Gaga and Rihanna helped revitalize the genre for crowds beyond the rave scene. I was surprised and elated when EDM suddenly became more mainstream that it has been in the past. No more did EDM lovers have to hide in the shadows.
Here’s an article describing the 10 Top Female EDM DJ’s.
Another article discussing a female-only DJ lineup festival.
Artists such as David Guetta Calvin Harris, Avicii, Hardwell, Zedd, Knife Party, Swedish House Mafia, Deadmau5, Michael Woods, Tiesto, Martin Garrix, Steve Aoki, Benny Benassi etc. have produced for big name female singers, and their songs have resided at the top of the charts for weeks on end. They often use lesser-known female vocals on top of their tracks too.
Why is this an issue you may ask? Because whoever controls the charts also controls the money. Singers on songs don’t make a lot of money. Writers do and producers make even more. So by restricting women to just the vocals in EDM, then they’re not getting jack squat (but kudos to Ellie for writing “I Need Your Love” with Calvin Harris-a smart, smart move).
In order to make an impact, girls can’t just sing or appeal in videos. For you future female producing hit makers, now is your time. You’ve got an awesome formula (internet + personal drive + a potential audience) to create a masterpiece.
Nervo has pretty good collabs with other EDM artists, but sadly hasn’t been a mainstay.
Moving forward, I’d encourage not just the top names, but also listeners to be more open-minded. Don’t just restrict the girls to being on-camera or the side-kicks to a few hits and then leave them by the wayside. Motivate your EDM-loving girlfriends to actually pursue their hobby, rather than sitting on your shoulders at festivals. And once they do, don’t forget to send some free tickets my way
Not sure if you’ve heard, but Jourdan Dunn and Naomi Campbell are the newest faces of Burberry’s Spring Summer 2015 Campaign. This is a BIG DEAL.
Why might you ask? Well because it’s very rare that a black model is in a major campaign these days. Or in the center of one. Or alone in one. Or even with another black model. So having TWO black models as the central focus in a fashion campaign that has no tribal or “urban” (code for hood) references is refreshening. Also, kudos to Burberry for having Jourdan and Naomi look gorgeous without adding skin-lightening.
Jourdan and Naomi weren’t selected as a racial statement by the brand, but simply because they’re the best. Burberry’s Creative DirectorChristopher Bailey (who is just really, really awesome btw) shared, “Naomi and Jourdan – two great British icons, two strong, beautiful women and the two perfect faces for our new campaign. It is, as always, a real privilege to work with them.”
Naomi is a legend, groomed in the days of the 90’s Supermodels, while Jourdan has stomped every major runway alongside Cara Delevingne, Karlie Kloss, Chanel Iman, and well you get it.
Moving forward, it would be great if other brands took note of Burberry’s wise move. Rather than sprinkling a few racially ambiguous models on their runways, I think a bolder stance would showcase the industry’s ability to shape what’s beautiful, rather than being the object of popular opinion.
As I battled the crowded corridors of First Colony Mall a bright, almost luminous, store window stopped me in my tracks. After navigating my way around a circus of strollers and shoppers toting enough bags that I wondered how they didn’t collapse I was finally there. Friendly smiles paired with streetwear is something you don’t often see in today’s stores, and one that sets The Exclusive Tastea part.
An amicable guy suited in their unofficial uniform-think a bold sweatshirt, snapback hat, and acid wash denim jeans-approached me and asked if I needed any help. As I was taking pics for WMTM, he didn’t hesitate to tell me how The Exclusive Taste differed from other urban wear shops. These clothes are for the fearless-so fearless that I don’t think you could be a wallflower even if you tried. Think baggy sweatshirts with tongue-in-cheek pictures of Bill Clinton, “Dope” in gold lettering, and crew necks with look-at-me prints. Not ready for such a bold statement? Try layering a black leather jacket (always a good go-to) to keep your look pulled together.
Carrying an impressive span of brands from across the globe, from Australia to Htown, The Exclusive Taste aspires to bring the city up to speed. What made me stop in my tracks was the fabric-they stated how the quality justified the price-as their track pants were softer than some dresses that I own.
But girls, never fear because although the shop focused mostly on guys, the clothes aren’t just for the dudes. If you’re looking for something to relax in during those Netflix marathons, I suggest picking up a pair of Zanerobe pants.
Somewhat pricey for their younger demographic, The Exclusive Taste could definitely be a place to pick up a Christmas gift or two to ‘treat yo self.
I like to think of Pre-Fall as Fashion’s form of Christmas. Right before the Couture shows and a few months following the September shows, it offers a dose of new collections to hold us fashion lovers till January. Not all designers feature Prefall shows, but a growing number have decided to jump on board in the past years. Some designers deliver a full show while some opt for intimate presentations.
Here’s some of my Prefall Hervé Léger 2015 Fav’s for you to check out:
Hervé Léger these past few seasons has been steering away from club-hopping dresses to more versatile looks. For PreFall, this meant A-line dresses in an array of colors that were anything but boring. Take the looks into daytime by throwing a structured crop jacket on top like they did this season. Hervé Léger still paid homage to the bondage cocktail looks but with a variety of cutouts and necklines. Fringes added an extra dose of flavor to the looks, without going into Wild Western territory. A floor-sweeping skirt concluded the collection, marrying bondage materials and ballgowns for a surprisingly modern result.